Radcliffe, Ann. (1764 - 1823).
W o r k
“On the Supernatural in Poetry” (1826, posthumously):
- a serious essay explaining her view of her own work
(a) terror = ‘awakens the faculties to a high degree of life’
(b) horror = ‘contracts, freezes, and nearly annihilates them’
- terror is the source of her own fictional sublime
- her notion of the sublime is closer to Edmund Burke than to the supernatural sensationalism of the later Gothic novelists
- centred her sublime on descriptions of imaginary scenery > pioneered the fictional use of landscape
- typical setting: an imaged Italy, with frequent impressions of solemn or ‘peculiar grandeur’ both to elevate and awe the spirits of her protagonists
- typical protagonist: a decorous and sensible woman finding resource in her reasonableness
- typically introduces apparently supernatural events x but: explains them afterwards carefully by natural means
- creates a bridge between the Augustans (rationalistic explanations) and the Romantics (emphasis on the imagination and the supernatural)
The Castles of Athlin and Dunbayne (1789)
The Sicilian Romance (1790)
The Romance of the Forest (1792)
The Mysteries of Udolpho (1794)
The Italian (1797)
"The scene of barrenness was here and there interrupted by the spreading branches of the larch and cedar, which threw their gloom over the cliff, or athwart the torrent that rolled in the vale. No living creature appeared, except the lizard, scrambling among the rocks, and often hanging upon points so dangerous, that fancy shrunk from the view of them."
From The Mysteries of Udolpho (1794).
(Picture: Wikimedia Commons).
AuthorBorn Ann Ward. Married Radcliffe. (1764 - 1823). British.
WorkNovelist. Author of The Mysteries of Udolpho (1794).
GenreRomanticism. Gothic novel.
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