Literární část
(13) Neo-Romanticism: New Treatment of Romantic Concepts and Methods.
(J. Conrad, R. L. Stevenson, and R. Kipling).
T h e T w e n t i e t h C e n t u r y
[see "Background for Topics 12-27..."]
J o s e p h C o n r a d ( 1 8 5 7 – 1...
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(14) Variety of Themes and Literary Means in Plays of G. B. Shaw.
T h e T w e n t i e t h C e n t u r y
[see "Background for Topics 12-27..."]
G ( e o r g e ) B ( e r n a r d ) S h a w ( 1 8 5 6 – 1 9 5 0 )
L i f e :
- b. in Dublin x but:...
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(15) Irish Renaissance in Poetry and Drama.
(W. B. Yeats, J. M. Synge, A. Gregory, and S. O’Casey).
T h e T w e n t i e t h C e n t u r y
[see "Background for Topics 12-27..."]
W ( i l l i a m ) B ( u t l e r ) Y e...
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(16) Poetry and the World Wars.
(E. Thomas, R. Brooke, W. Owen, I. Rosenberg, S. Sassoon, D. Gascoyne, D. Thomas, and A. Lewis).
T h e T w e n t i e t h C e n t u r y
[see "Background for Topics 12-27..."]
E d w a r...
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(17) Modernism and its Manifestations in the Works of J. Joyce and V. Woolf.
T h e T w e n t i e t h C e n t u r y
[see "Background for Topics 12-27..."]
J a m e s J o y c e ( 1 8 8 2 – 1 9 4 1 )
L i f e :
- b. in Dublin
- received a Cath. education at...
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(18) The Birth of Modernism at the Beginning of the Twentieth Century.
(V. Woolf, K. Mansfield, E. M. Forster, F. M. Ford, and E. Bowen).
T h e T w e n t i e t h C e n t u r y
[see "Background for Topics 12-27..."]
‘ B l o o m s b u r y G r o...
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(19) T. S. Eliot and his Influence on Modern English Poetry.
T h e T w e n t i e t h C e n t u r y
[see "Background for Topics 12-27..."]
T ( h o m a s ) S ( t e a r n s ) E l i o t ( 1 8 8 8 – 1 9 6 5 )
L i f e :
- b. Thomas Stearns...
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(20) D. H. Lawrence as a Critic, Novelist, Poet, and Short Story Writer.
T h e T w e n t i e t h C e n t u r y
[see "Background for Topics 12-27..."]
D ( a v i d ) H ( e r b e r t ) L a w r e n c e ( 1 8 8 5 – 1 9 3 0 )
L i f e :
-...
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(21) Political 30s in Poetry.
(C. Day-Lewis, L. MacNeice, and S. Spender).
T h e T w e n t i e t h C e n t u r y
[see "Background for Topics 12-27..."]
‘ A u d e n C i r c l e ’ ( l a t e 1 9 2 0...
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(22) Colonial Experience in the Works of the Twentieth Century British Authors.
(J. Conrad, , R. Kipling, E. M. Forster, D. Lessing, G. Orwell, and G. Greene).
T h e T w e n t i e t h C e n t u r y
[see "Background for Topics 12-27..."]
J o s e p...
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(23) The Angry Young Men.
(K. Amis, J. Osborne, J. Braine, and J. Wain).
T h e T w e n t i e t h C e n t u r y
[see "Background for Topics 12-27..."]
‘ A n g r y Y o u n g M e n ’ ( 1 9 5 0 s...
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(24) Post-war Experimentation in Drama.
(H. Pinter, A. Wesker, J. Orton, and T. Stoppard).
T h e T w e n t i e t h C e n t u r y
[see "Background for Topics 12-27..."]
D r a m a S i n c e t h e 1 9 5...
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(25) Politics and Religion in Post-war British Novel.
(G. Orwell, G. Greene, A. Burgess, and M. Spark).
T h e T w e n t i e t h C e n t u r y
[see "Background for Topics 12-27..."]
G e o r g e O r w e l l
[see O. under ‘22...
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(26) New Trends in British Fiction in the 1970s and 1980s.
(M. Amis, I. McEwan, D. Lessing, A. Carter, K. Ishiguro, V. S. Naipaul, etc.).
T h e T w e n t i e t h C e n t u r y
[see "Background for Topics 12-27..."]
M a r t i n A m i...
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(27) Post-war Poetry.
(The Movement, The Group; P. Larkin, T. Hughes, S. Heaney, and S. Smith).
T h e T w e n t i e t h C e n t u r y
[see "Background for Topics 12-27..."]
‘ T h e M o v e m e n t...
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